Anything goes: Maria de Fátima achieves her goal and moves in with Afonso; Raquel has a turnaround

In the new phase of the Vale Tudo remake, Maria de Fátima (Bella Campos) continues to manipulate events in her favor. The villain, after winning over Afonso Roitman (Humberto Carrão), will live with the millionaire in the mansion, continuing her plan for social ascension. At the same time, she will try to emotionally harm her mother Raquel (Taís Araújo) by gossiping about Ivan (Renato Góes) and Heleninha ( Paolla Oliveira ), indicating that her manipulative attitude will continue. On the other hand, Raquel will become a millionaire, a fact that may affect the relationship between mother and daughter.

Living in the mansion, Fátima gets closer to her goal: to marry Afonso. However, even after making her relationship with the millionaire official, there will be a sequence of tension in the character's life. Fátima will be caught by Afonso while talking romantically with César (Cauã Reymond) during their wedding night. In order to avoid being unmasked for her betrayal, she lies by saying that she was talking to Raquel, her mother.

The call comes right after the wedding ceremony, held in the garden of Celina's (Malu Galli) house, where the newlyweds spend their first night together. However, taking advantage of a moment when her husband is absent from the room, Fátima locks herself in the bathroom and calls César. She tells her lover that she was also thinking about him, revealing that her feelings for her ex-lover are still alive.

Upon returning to the room, Afonso hears his wife declare her love on the phone. Surprised, he questions the situation, and Fátima tries to justify herself by saying that she thought he was still downstairs. As a strategy, she claims that the call was actually a voice message for Raquel. Afonso, however, seems suspicious, and the atmosphere between the two becomes visibly tense.

The twists and turns make it clear that Fátima will spare no effort to guarantee her interests, even if this means using her own mother as an alibi to cover up betrayals and maintain appearances.